Joe Walsh has produced outstanding music for over four decades, working as a member of "The James Gang" and "The Eagles." And, also a a highly successful solo artist. Narrowing Walsh's many compositions into a group of the finest Joe Walsh songs, won't be easy or definitive. But, it will be fun!
I'll let emotions take sway here and give you the first seven Joe Walsh songs that pop into my head. Because, as I learned many moons ago, taking test after test in school, your first answer is almost always invariably right.
Holding the lucky seven spot is, "Walk Away." This is the song that got it all going for "The James Gang" and Joe Walsh. The powerful opening guitar chords were a precursor of many great riffs to come.
At number six, "Tend My Garden." This song was atypical of the music of the time and showed that Joe Walsh had more depth, diversity and potential as a musician and composer. It's not uncommon to see this compelling composition on top of many fan's lists.
"Meadows," from the album, "The Smoker You Get, the Player You Drink." The lead-in guitar hook reminds me of the earlier Richie Blackmore lick in "My Woman From Tokyo" by "Deep Purple." Initially this turned me off to the song. However, I couldn't stay away from it. And, whatever happened to "Deep Purple" anyway.
Coming in at number four, "Welcome to the Club," from the album, "So What." This is some of Joe's best guitar chord work coupled with some of his better lyrics. Great drum work dominates on this track as well.
Sitting at number three, "County Fair'" also from the album, "So What." This song subtly glides the listener along a sonically enchanted journey, highlighted by Joe's reverse recorded guitar solo. That must have been tough to get down on tape in the studio.
"Rocky Mountain Way," from the album, "The Smoker You Get, the Player You Drink" comes in at number two. Now I'm sure this is number one on most lists, and you can make a good case for it. I love it too. But, for my money, the next song is just a little bit better.
And (drum roll please) in numero uno slot, "Turn to Stone," from the album, "So What." This was also on the "Barnstorm" album, but the "So What" version is better. How come "Turn to Stone" beats out "Rocky Mountain Way?" Maybe it's because it hasn't suffered from as much over composure. But frankly, "Turn to Stone" has a harder, darker feel that I find more engaging and appealing.
I'll let emotions take sway here and give you the first seven Joe Walsh songs that pop into my head. Because, as I learned many moons ago, taking test after test in school, your first answer is almost always invariably right.
Holding the lucky seven spot is, "Walk Away." This is the song that got it all going for "The James Gang" and Joe Walsh. The powerful opening guitar chords were a precursor of many great riffs to come.
At number six, "Tend My Garden." This song was atypical of the music of the time and showed that Joe Walsh had more depth, diversity and potential as a musician and composer. It's not uncommon to see this compelling composition on top of many fan's lists.
"Meadows," from the album, "The Smoker You Get, the Player You Drink." The lead-in guitar hook reminds me of the earlier Richie Blackmore lick in "My Woman From Tokyo" by "Deep Purple." Initially this turned me off to the song. However, I couldn't stay away from it. And, whatever happened to "Deep Purple" anyway.
Coming in at number four, "Welcome to the Club," from the album, "So What." This is some of Joe's best guitar chord work coupled with some of his better lyrics. Great drum work dominates on this track as well.
Sitting at number three, "County Fair'" also from the album, "So What." This song subtly glides the listener along a sonically enchanted journey, highlighted by Joe's reverse recorded guitar solo. That must have been tough to get down on tape in the studio.
"Rocky Mountain Way," from the album, "The Smoker You Get, the Player You Drink" comes in at number two. Now I'm sure this is number one on most lists, and you can make a good case for it. I love it too. But, for my money, the next song is just a little bit better.
And (drum roll please) in numero uno slot, "Turn to Stone," from the album, "So What." This was also on the "Barnstorm" album, but the "So What" version is better. How come "Turn to Stone" beats out "Rocky Mountain Way?" Maybe it's because it hasn't suffered from as much over composure. But frankly, "Turn to Stone" has a harder, darker feel that I find more engaging and appealing.
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